Not sure if
I went down after the wrong track. My keyboard is sticky, my monitor covered
with nicotine.
Not sure if
this is about depression anymore. Not sure if it is about me. How much can I
work and then not work? Am I
smart or stupid, or how smart or how stupid? Shouldn’t I know these things by the time I am my age. Do people think
of freedom when they look at my work because I’m not growing up?
Or is it that I just can’t take care
of myself? Self expression is not enough. There has to be a structural context
into which one works. Perhaps I am in competition with P. Why did I allow
myself to slip, or perhaps I have not slipped at all—perhaps this the way
things were meant to be. What else? The care of the self. An awareness.
Speaking beyond the micro, whatever the micro is. Or speaking of the macro by
speaking of the micro. Perhaps this is a better description. Of course P knows
who Anita Steckel is…So many artists. Nevermind. Nevermind. Never-mind.
Marijuana and House Music, Deep House Music. My own little world. My own little
bubble. When will I
get started on the basisstipendium application? As soon as I can. Now I have a
bit longer to do it in now that the Marilyn show has been postponed. What else?
Making simple works. I simply do not agree with Tracey that work has to “work”
to be art. I
like asking all the wrong questions, but perhaps not just for the sake of
asking all the wrong questions…at
least I hope not. For instance, Jo Spence asked all the wrong
questions, but with admirable, though in her lifetime denigrated, goals. Now
that women have done that we need to build on it, and that’s why I didn’t like
Melanie Bonajo’s piece at FATFORM this year. This had to come out.
It’s
because I see women as becoming (old, “uitgeschakelde”) objects again. After
all the work Carolee and others did who have now reached this / these ages, or
slightly younger ages, I find it a provocative, old fashioned (and not in a
good way) take on women and even ageing. Hmmm. Oh well. I don’t think it’s that
good so it ’s not
worth so much time. I will not have a 29 inch waist forever, or is it 29 centimeters , of
course not. The little engine that could. Frog in my throat. Good at titles. Adept
at titles, was my work more interesting when I was 20? No, I don’t think so, it was more ‘desperate’.
And I am no longer THAT desperate. Can I write criticism of imagery like Jo
Spence? Do I have that in me?
Under his
control now as to / for my development? NO. Although it is scary, if that would
be true. Landing down with those I don’t even feel that close to aesthetically.
Maybe P and Melanie Bonajo…no he’s
no where near that stupid, that’s the point and the issue. Not
sure if I should work, not sure if I want to work etc. Jean Marc Sinan “Sinan”
perfume, “Tigresse” by Faberge, what was the other one? I cannot remember right
now. These are the two perfumes I have my eyes on right now.
Or my nose
haha. Cannot always work, just surfing around to see where the cheapest Sinan
perfume might be, but this is not
a long term solution. No. Perfume is no long term solution. I
love Tigresse’s packaging, and Lola Falana is very special.
Health
problems or imagined health problems. Taking care of myself. There have been
times of not knowing like this before, maybe I will become religious, or maybe
my art will remain my faith. Everything has to happen quickly when you are
young, am I disingenous for being as friendly as I can to everyone? Or should I
say exactly what I think all the time. Maybe I would learn some things.
I have
nothing to impress them with anymore. There is nothing impressive. That’s how
it is. It’s just washed up, washed out, over and over again describing the same
difficult paths. The paths where it looks like there’s nothing happening, at
all, when things are actually always happening. MY WORK IS ABOUT THE PRIMACY OF
THE PERSON. There, that says it all…